Pages

Wednesday, June 2, 2010

Bhathanatyam

              Bharata Natyam is one of the oldest dance forms of India. It was nurtured in the temples and courts of southern India since ancient times. Later it was codified and documented as a performing art in the 19th century by four brothers known as the Tanjore Quartet whose musical compositions for dance form the bulk of the Bharata Natyam repertoire even today. The art was handed down as a living tradition from generation to generation under the Devadasi system under which women were dedicated to temples to serve the deity as dancers and musicians forming part of the elaborate rituals. These highly talented artists and the male gurus (nattuvanars) were the sole repository of the art until the early 20th century when a renewal of interest in India's cultural heritage prompted the educated elite to discover its beauty.
                  By this time the Devadasis had fallen upon evil days due to lack of state patronage and changed social mores. The revival of Bharata Natyam by pioneers such as E Krishna Iyer and Rukmini Devi Arundale brought the dance out of the temple precincts and onto the proscenium stage though it retained its essentially devotional character.
                Today Bharata Natyam is one of the most popular and widely performed dance styles and is practiced by male and female dancers all over India. Due to its wide range of movements and postures and the balanced melange of the rhythmic and mimetic aspects lends itself well to experimental and fusion choreography. Degree and Post Graduate courses covering the practice and theory of Bharata Natyam as well as the languages associated with its development are available at major universities of India.

Kuchipudi -Classical Indian Dance

               Kuchipudi is the classical dance form from the South-East Indian state of Andhra Pradesh.  It derives its name from the village of Kuchelapuram, a small village about 65 kms from Vijaywada.  It is known for its graceful movements and its strong narrative / dramatic character.
             There is a legend concerning the origins of Kuchipudi.  It is said that there was once an orphan of Srikakulam who was raised by the village.  These kind people had him married at childhood as was the custom of the time.  However, for his training he went to Udipi for Vedic studies.  During his study he acquired the name Sidhendra Yogi.

After a time he returned to Srikakulam.  However, the village elders ordered him to go to his wife's house to assume his family responsibilities.  On the journey he came upon a river.  As he was swimming across the river he suddenly realised that he could swim no further.  He then prayed to God to give him the strength to make it across.  He did make it, and upon reaching the shore he vowed to become a sanyasi(renunciate) and devote his life to religious affairs.
He then settled in the village of Kuchelapuram and started teaching.  Here, he instructed Brahmin boys in devotional dance dramas based upon religious themes.  These religious plays were presented as offerings to God in the tradition of the Natya Shastra.
Kuchipudi flourished as a dramatic form of dance for hundreds of years.  It was held in high esteem by the rules of the Deccan.  For instance Tana Shah in 1678 granted the lands around Kuchipudi to the Brahmins who performed the dance.